FLASH REVIEWS: YALSA’s 2013 Hub Reading Challenge, Check-In #2

Eight down… and seventeen more to go. That’s not a very encouraging statistic considering I began this challenge back in February and I now have only until 11:59 p.m. (because every minute counts!) on Saturday, June 22nd to live up to my reading pledge. But as this is Summer Reading season and I HATE to fail at anything, I still think I can do it. Maybe. Possibly. Okay, my chances aren’t great, but I refuse to give up!

Anyway, here are the three books that I have read for the challenge and haven’t yet reviewed. (Thumbs up on all three, by the way. Although one definitely stands out for me far and above the others.)

The Raven Boys by Maggie Stiefvater
Genre: Fantasy/Mystery/Paranormal Romance
Rating: 3.5/5 Stars
I soooo wanted to love this book. And I did like it—a lot. But for me it did not quite have the same magic and ingenuity that made The Scorpio Races so enthralling. I think part of the problem is that I missed the first-person narration that allowed me to empathize so strongly with previous Stiefvater characters. (Although switching to third-person narration does fix the tendency I’ve noticed wherein Steifvater’s dual narrators often read as too alike and not fully distinct from one another.) But ultimately The Raven Boys lacked the lyrical qualities that drew me to Shiver and (most particularly) The Scorpio Races.

That is not to say that the book isn’t well written. It is, very much so. And the premise is intriguing. Blue is an interesting, likeable character who comes from a family of clairvoyants but remains a bit of an outsider. After all, she is not clairvoyant herself, though her presence somehow acts as an amplifier for others’ gifts. Meanwhile, there are the “Raven Boys” of Aglionby Academy. Gansey is the de facto leader of a group of misfits at the prestigious boys’ school. He feels responsible for guarding his troubled friends’ well-being and is obsessed with unraveling a mystical mystery that becomes key to the book (and presumably the rest of the series). Like most of the locals, Blue wants nothing to do with the stuck-up Raven Boys, but then she meets Gansey, whose fate seems tied to Blue and a deadly curse. All the elements—mystery, heartbreak, friendship, betrayal, moral dilemmas—are there, but they only began to come together for me near the book’s end. It was well past the mid-way point that the characters and their relationships began to fully engage my interest, but once this happened I was hooked. Luckily, this is only the first book in the Raven Cycle quartet. I think now that the characters have been introduced and the tone set, The Dream Thieves (due out in September) has the potential to far surpass its predecessor.

Drama by Raina Telgemeier
Genre: Graphic Novel/Realistic Fiction
Rating: 3.5/5 Stars

This graphic novel from the author of Smile is a quick and amusing read. I loved Callie and really enjoyed all of her
interactions with her drama club pals, particularly her friendship with Liz. However, I do feel like the book reinforces stereotypes by [POTENTIAL SPOILER: Highlight to read!] having all three of
the male performer characters turn out to be gay (or potentially gay)
and making the only female performer into a self-absorbed, melodramatic
diva. But then this title was selected as one of the Great Graphic Novels Top Ten 2013 and as a 2013 Stonewall Honor Book, so maybe it’s just me. I have yet to see any other reviews that raise the same concerns. But regardless of my quibbles, I thoroughly enjoyed this story about a perpetually lovestruck 7th grader who adores the theater and her role on the crew of the school play. This title should find particular favor with middle-school Glee fans.

The Diviners by Libba Bray
Genre: Horror/Historical/Speculative Fiction
Rating: 4.5/5 Stars

As The Diviners was a 2013 Amazing Audiobooks for Young Adults Top Ten selection, I chose to listen to this book in audio format. It was a much better experience than my last encounter with a Libba Bray audio book. At first, the 1920s slang and historical background seemed a bit gimmicky and overdone, but I was quickly drawn into the creepy, atmospheric world Bray creates. The Diviners is shamelessly excessive—the slang, the numerous characters, the mysteries—but this perfectly reflects the sumptuous excess of the era and lends the book an epic quality that promises good things to come. Featuring disparate teen protagonists with nothing in common other that a secret special ability, a ghostly serial killer, and the vivid setting of Prohibition-era New York, this is one of the most memorable series openers I’ve read in ages. Even better, while reaching a satisfactory resolution to the main plot of this book, there are overarching mysteries that have me eagerly awaiting the second book of the planned quartet.

REVIEW: The Cutting Season by Attica Locke

Rating: 3.5/5 Stars
Genre: Literary Mystery, Southern Fiction
Audience: Adult

Summary: Caren Gray is a strong, educated African American woman and a single mother. She has mixed feelings about managing Belle Vie, the sprawling plantation where she grew up and where her ancestors were once slaves. Despite the unease that the former slave cabins instill in her, she feels tied to the place. But when an immigrant sugar cane worker is found dead on the edge of Belle Vie and Caren decides to launch her own investigation, all of her latent misgivings are stirred up again. And even as centuries-old secrets from the past rise up from the past, in the present Caren begins to fear that her nine-year-old daughter may know more about the murder than she’s telling.

First Line: It was during the Thompson-Delacroix wedding, Caren’s first week on the job, that a cottonmouth, measuring the length of a Cadillac, fell some twenty feet from a live oak on the front lawn, landing like a coil of rope in the lap of the bride’s future mother-in-law.

Tracy’s Thoughts:
A nuanced mystery with gothic undertones, Attica Locke’s second novel (after Black Water Rising) is far more than a typical whodunit. The atmospheric Southern setting and eerie history of slavery permeate the plot, adding depth and weight to the story. Issues of race, class, and history are key, but these themes are seamlessly and subtly integrated into the plot rather than a carelessly tacked on “moral.”

Attica Locke’s writing is stellar, descriptive and even poetic at times: “[B]eneath its its loamy topsoil, the manicured grounds and gardens, two centuries of
breathtaking wealth and spectacle, lay a land both black and bitter,
soft to the touch, but pressing in its power.” However, I did not find the characters quite as captivating as the setting. I had a bit of a struggle warming up to Caren, who is a bit of a mystery herself. I appreciated that she is a strong but flawed woman, and I was pulling for her 100%, and yet, for me, she remains distant throughout the novel.

But despite my quibbles (and, if you haven’t noticed by now, I almost always have quibbles), I thoroughly enjoyed this novel. The linkage of past and present, along with the blending of history, social issues, and various relationship issues make for a complex and satisfying read.

REVIEW: A Land More Kind Than Home by Wiley Cash

Rating: 4/5 Stars
Genre: Psychological Suspense/Southern Gothic
Audience: Adult

Summary: In a small North Carolina mountain town outside Asheville, evil has festered for years in the form of Pastor Carson Chambliss, an ex-con and born-again Christian who encourages his congregation to speak in tongues, handle deadly snakes and fire, and drink poison to prove their faith. Adelaide Lyle recognized the danger years ago and insisted that the congregation’s children steer clear of Chambliss’s raucous services and attend Sunday school with her instead. But a series of events, beginning with the snooping of a young boy, brings the evil out into the open and shatters a family forever.

First Line: “I sat there in the car with the grave dust blowing in the parking lot and saw the place for what it was, not what it was right at that moment in the hot sunlight, but for what it had been maybe twelve or fifteen years before: a real general store with folks gathered around the lunch counter, a line of people at the soda fountain, little children ordering ice cream of just about every flavor you could think of, hard candy by the quarter pound, moon pies and crackerjack and other things I hadn’t thought about tasting in years.”

Tracy’s Thoughts:
Human weaknesses and vulnerabilities are exposed in this evocative novel about rural life, fate, and redemption. Equal parts Southern Gothic and Greek tragedy, it calls to mind the work of Flannery O’Connor. The story is narrated by a chorus of three voices: Adelaide, the town
wise woman and healer, a woman who at nearly eighty tells it like she
sees it; Sheriff Clem Barefield, still somewhat of an outsider, a middle-aged man
haunted by his own family tragedy; and nine-year-old Jess, precocious
and adventurous, a boy older than his years from looking out for
his mute and most likely autistic older brother. The novel weaves
back and forth through time, seamlessly revealing events of the past to
elucidate the tragedy that occurs early on in the narrative. This
layering of perspective and events creates a dark, quiet intensity that
pulls you in, the tension gradually building up to the final,
inevitable conclusion.

And debut author Wiley Cash’s writing is fabulous.The dialog and idioms are spot on, perfectly capturing the flavor of the mountains and its people without introducing awkward, unreadable dialect. The lyrical prose is unpretentious, and the characters lovingly crafted.This is a must-read for anyone who enjoys the work of Tom Franklin and John Hart. This book offers plenty of food for thought and discussion; it would make an ideal book club read.