REVIEW: Rules of Civility by Amor Towles

Rating: 4.5/5 Stars
Genre: Historical Fiction
Audience: Adult
Format: Audiobook

Summary: Katey Kontent and her roommate meet Tinker Gray by chance on New Year’s Eve 1937 at a jazz bar in Greenwich Village. Both girls are fascinated by the sophisticated yet boyish banker and the trio struck up an immediate if tenuous friendship. That meeting and the resulting friendship leads to far-reaching consequences for each of their lives. The novel focuses on Katey’s life and choices of the following year, as she finds herself forming new relationships and mingling in the upper echelons of New York society.

First Line: “On the night of October 4th, 1966, Val and I, both in late middle age, attended the opening of Many Are Called at the Museum of Modern Art—the first exhibit of the portraits taken by Walker Evans in the 1930s on the New York subway with a hidden camera.”

Tracy’s Thoughts: First, let me say that I adored this book. Amor Towles’s rich language and vivid description bring to life a fully realized world and nuanced characters I did not want to leave behind. I don’t think the setting could have been any better depicted. The dialog, the real-life settings—everything comes together perfectly to recreate the golden ear of Manhattan, reminiscent of classic movies starring the likes of Carole Lombard, Clark Gable, Barbara Stanwyck, Henry Fonda, or Katherine Hepburn. Towles creates a lush yet uneasy world of artifice and hidden agendas that intrigues and delights. For its emphasis on betrayals, disappointments, class tensions and iniquities, Rules of Civility has even been compared to works of F. Scott Fitzgerald.

But Katey is not your average socialite-wannabe. She is also a bit of an enigma herself, having recreated herself more than once, but she does not put on airs or deny her humble origins. She is a devoted reader (an interest which plays quietly but significantly into her story) and is determined to earn her own way. As a narrator, Katey is sharp-tongued, witty, and just a little vulnerable. As her choices throughout the year reveal their consequences, the reader can’t help but feel her disappointment, uncertainty, and determination. As circumstances shift and new opportunities arise, Katey proves herself a worthy—though far from perfect—heroine.

Instead of huge events, this is a novel full of a series of small
revelations and shifts in circumstance that simultaneously feel both startling and inevitable.
Earlier clues and dropped threads reappear in a way that feels natural
and realistic rather than manipulative. But ultimately, this is a book that will appeal to readers more interested in character development that plot-driven narratives.With its careful, subtle plotting, intriguing characters, and atmospheric setting, it was the perfect book for me. It is a superbly told story of random chance, everyday life-altering decisions, and reinvention. All in all, a perfect read as the New Year approaches.

REVIEW: Eleanor & Park by Rainbow Rowell

Rating: 4/5 Stars
Genre: Realistic Fiction/Love Story
Audience: Young Adult/Teen

Summary:  For Eleanor and Park, it is far from love at first sight. Park thinks the crazy-haired, oddly dressed new girl looks like a victim waiting to happen, and the minute she steps on to their shared school bus he’s proven right as the bullies zero in for the kill. Meanwhile, Eleanor is too concerned with her problems at home to think much about the “stupid Asian kid” who reluctantly scoots over to share his seat, cursing under his breath all the while. For days they share the seat in awkward, sometimes hostile silence. But then… Something changes. Soon, Eleanor is surreptitiously reading Watchmen comics over his shoulder and Park is making Eleanor mix tapes of his favorite bands. Slowly, tentatively a friendship develops and then friendship becomes something more. But love doesn’t solve everything. Together they must face disapproving parents, mean-spirited classmates, and the dark truths Eleanor never wants Park to discover.

Celebrity Stamp of Approval:Eleanor & Park reminded
me not just what it’s like to be young and in love with a girl, but also
what it’s like to be young and in love with a book.”—John Green, The New York Times Book Review

First Lines: “He’d stopped trying to bring her back. She only came back when she felt like it, in dreams and lies and broken-down déjà vu.”

Tracy’s Thoughts: I practically inhaled this book from start to finish. Told through the alternating perspectives of Eleanor and Park, it is a fast, engaging read that brings its characters to vibrant life. Both protagonists feel incredibly real, flawed yet wholly sympathetic. Though they come from different worlds, I completely bought into the idea that Eleanor and Park are destined to meet and fall in love. Yet even they have doubts that their love can last, especially considering their circumstances. Eleanor is keeping secrets from Park about her disadvantaged home life and abusive, skeevy stepfather, and Park’s Korean-American mother is less than approving of Eleanor and her appearance. Plus Park has some difficulty coping with the shameless bullying some students at the school direct at Eleanor. (Though he adores her, he’s also a little embarrassed by her at times.) And then there’s Eleanor’s own insecurities and her trouble believing that slender, calm Park is attracted to her chubby, difficult self. Suffice it to say, they have a lot to deal with, and every bit of it feels realistic and essential to the story.

Despite the undeniable dark side to this novel, it is also funny, heartbreaking, and extremely sweet. In many ways, the novel is like Eleanor herself: gritty and perhaps a little abrasive, but also extremely lovable. There is a good deal of profanity and crude language, but, to me, the language is authentic to the characters and place rather than gratuitous. And the dialog is smart and clever; it’s no wonder John Green so enthusiastically recommends this book. Though it is solidly grounded in the period (did I forget to mention the book is set in 1986?), Eleanor and Park is a timeless, universal story of first love.

DUAL REVIEW: Mr.Penumbra’s 24-Hour Bookstore by Robin Sloan

Lucinda’s Rating: 4/5 Stars
Tracy’s Rating: 2.5/5 Stars
Genre: Literary Mystery/Adventure
Audience: Adult/Older Teen

Summary: Forced to find another job due to the Great Recession,
web designer Clay Jannon finds himself the night clerk at the
mysterious Mr. Penumbra’s 24-Hour Bookstore, a bookstore where there are
few regular patrons and where the regulars borrow books rather than buy
them. Little does Clay know that by walking into this bookstore he will
discover a secret world that will shape his future in ways he could
never imagine and irrevocably alter his view of the world.

Lucinda’s Views:
This book possessed a carefully crafted plot that keeps the reader
interested even to the end. The seamless blend of cutting edge
technology and the history of the book will delight the reader. The
mystery that comprises much of the plot is believable and works to
propel the story forward. The characters are likable, believable, and
fit into this tale of one young man’s quest to find himself in a world
which is not quite what he thought it was. For those who love a good
book, but also like their technology this is a perfect read.

Tracy’s Thoughts:
I didn’t know quite what to expect from this book. It appeared on a number of “Best of 2012” lists and won a 2013 Alex Award.
Lucinda told me she stayed up ridiculously late to finish it. And yet
I’ve also read some less than positive reviews and a co-worker whose  opinion I trust told me that it was “weird” and “disappointing.” Well…
I generally like “weird” so that didn’t do a lot to dissuade me, but my
co-worker’s inability to pinpoint exactly what didn’t work for her left
me feeling less than enthused about reading it. But then I read more
glowing reviews and I needed to read more eligible books for the Hub Reading Challenge… so I decided to take my chances.

Unfortunately, I too ended up disappointed. For me, it was a really
rough start as I found nothing engaging about
the voice (as a reader, I’m all about voice :)). I wasn’t interested in
Clay as a narrator, and I also thought Sloan’s prose was choppy and even
clunky at times. The overabundance of modifiers in particular kept
yanking me out of the story, inspiring annoyance rather than interest in
whatever was being described:

This place was absurdly narrow and dizzyingly tall, and the shelves went
all the way up—three stories of books, maybe more. I craned my neck
back (why do bookstores always make you do uncomfortable things with
your neck?) and the shelves faded smoothly into the shadows in a way
that suggested they might just go on forever. (Page 8)

As a not-so-secret bibliophile, a description that should have inspired
awe or curiosity at the very least simply left me cold. I’m a girl who
enjoys lengthy sentences and detailed description, but clearly Sloan’s
prose just isn’t for me. However, I appreciate that this is an entirely
subjective reaction—there’s nothing really wrong with the writing after
all—and that the prose will speak differently to different readers.

I also felt that the characters were a bit underdeveloped. Penumbra
could have been a figure of great curiosity but instead seemed barely
present. While Lucinda saw the characters as likable and believable, I
interpreted them as one-dimensional and uninteresting. Luckily, about 
80 pages in the thematic element of antiquity vs. technology emerged to
advance the story. I enjoyed the idea of how technology and antiquity
(in this case, old books and the knowledge they contain) can be seen as
opposing forces but at the same time act as partners in advancing human
knowledge and possibilities. For me, this concept was the heart of the
book.

In the end, Mr. Penumbra’s 24-Hour Bookstore is firmly in my
“meh” category. The concept was promising but, for me, never fully
realized. The story and characters ultimately fell flat, but the
intriguing juxtaposition of traditional books and technology
(particularly Sloan’s imagined Google world and underworld hacker/pirate
network) kept me interested enough to finish the book. For a better,
more fully realized read with a similar feel (though, alas, without the
book emphasis), I suggest reading Ernest Cline’s Ready Player One.

REVIEW: See You at Harry’s by Jo Knowles

Rating: 4/5 Stars
Genre: Realistic Fiction
Audience: Tween/Teen (11 and up)

Summary: Twelve-year-old Fern feels invisible in her family. Her dad is obsessed with the family restaurant and hardly ever comes home for dinner anymore; her mother is constantly escaping to her special room to meditate; and her perpetually critical sister Sara is miserable to be stuck at working at the family diner while her friends are all away at college. Fern has always had a special bond with her older brother Holden, but now that he’s started high school he’s busy coping with school bullies and his own emerging sexuality. And then there’s adorable, irrepressible three-year-old Charlie, the constant center of attention within the family.
The only person keeping Fern sane is her eternally calm and optimistic
best friend Ran, who almost makes her believe that “all
will be well.” But then tragedy strikes and even Ran can’t see how things will ever be okay again.

 First Line: “The very best day of my life, I threw up four times and had a fever of 103 degrees.”

Tracy’s Thoughts:
This is a book that will make you laugh, break your heart, and then somehow, against all odds, make you smile again. Knowles’s characters are fully developed, with authentic emotions and flaws. Quiet, introspective Fern makes a wonderful narrator, and though the lens through which she sees each of her family members is necessarily skewed by her own perspective, readers are able sympathize with each of the characters. Fern’s voice is distinct and engaging, often with shades of unintentional humor. This is especially true when she talks about her family:

Holden is always running off in a huff, and I am always the one searching for him and bringing him home. Holden’s named after the main character in The Catcher in the Rye. I wasn’t supposed to read it until I’m older, but I snuck my mom’s paperback copy out of her room last year. The pages were all soft from her reading it so many times. The book is about this boy who’s depressed because he thinks everyone he knows is a phony, so he runs away. I understand why my mom liked the book and all, but I personally think is was a big mistake to name your kid after a boy who tries to kill himself, even if he is thoughtful and brilliant. My favorite parts in the book are when the main characters talks about his little sister, Phoebe. Sometimes I think I’m a little like Phoebe to our Holden. Because in the book she’s the one he goes back for. And that’s sort of like me. Only I have to go looking for him first. (25–26)

The first third of the book introduces the quirk-filled family, from
Fern’s goodhearted, embarrassing father to demanding, loveable Charlie.
But then everything—the simple coming-of-age story you thought you were
reading—comes to a devastating halt as tragedy strikes. The emotions
become even more palpable, and the characters more real.

Relationships shine in this book, particularly the bond between
Holden and Fern—and later, when she steps up after the tragedy, Sara.
Fern’s friendship with Ran and Cassie—which also adds a minor love triangle to
the mix—rings equally true and enjoyable. I don’t want to spoil the “tragedy” that shifts the direction of the
narrative, so there is not much more I can say about this gripping
story. Characters must cope with guilt, grief, and other complex emotions, but the story never becomes maudlin or melodramatic. But there are hints of brightness amidst the darkness that comes. This is a simply but incredibly well-written story, full of humor, compassion, heartwrenching tragedy, and, eventually, healing.

REVIEW: The Perks of Being a Wallflower by Stephen Chbotsky

Rating: 5/5 Stars
Genre: Realistic Fiction, Coming-of-age, Epistolary Novels
Audience: Older Teen/Young Adult, Adult Crossover
Format: Audiobook

Summary: Fifteen-year-old high school freshman Charlie is anxious about starting high school, especially after his only friend committed suicide last year. So he chooses an unnamed stranger as his confidante. Over the course of a year, he sends anonymous letters describing his triumphs and tribulations as he befriends two seniors who welcome him into their eccentric group of friends and show him how to engage with the world.

First Line: “Dear Friend, I am writing to you because she said you listen and understand and didn’t try to sleep with that person at that party even though you could have.”   

Tracy’s Thoughts:
Charlie is now one of my all-time favorite book characters. His narrative voice is one of the strongest I’ve ever read, engaging and startling in its naive honesty. Charlie is unguarded about his emotions, often to the bafflement of those around him, and honestly clueless about many of the basics of social interaction. Take the following passage between Charlie and his older sister:

“I hate you.”
My sister said it different than she said it to my dad. She meant it with me. She really did.
“I love you,” was all I could say in return.
“You’re a freak, you know that? Everyone says so. They always have.”
“I’m trying not to be.”

He is vulnerable, awkward, and sometimes downright brilliant. In a word, he has depth. The book’s other characters, including the “unconventionally beautiful” Sam and her stepbrother Patrick, are equally well drawn and likeable. This book’s story and characters seem completely real, and it is almost impossible not to relate to them no matter how different your life may be.

Wallflower has been frequently compared to classic coming-of-age novels like The Catcher in the Rye and A Separate Peace. But although it addresses a lot of “issues”—suicide, sex, drugs, depression, abuse, homosexuality, bullying, teen pregnancy, etc.—it’s not all angst. Instead, it is a completely engrossing story full of hilarity, heartbreak, and inspiration. There were parts that made me laugh out loud; others left me stunned, anxious, saddened, hopeful. Although this book was published over a decade ago, it speaks to an age-old high school experience. It doesn’t feel outdated at all, though I could be a bit biased considering I was a high school student myself in the 90s. But considering the movie adaptation is coming out next month—featuring what promises to be a very un-Hermione role for Emma Watson—I don’t think I could be too biased. (The cast also includes Logan Lerman from the Percy Jackson movies as Charlie, with Paul Rudd, Mae Whitman, Vampire Diaries‘ Nina Dobrev, and others.)

In addition to the excellent characterizations and well-crafted story, I love how Charlie relates to so much through books and music. (As we’ve covered before, I am a sucker for books featuring characters who have a special relationship with books and/or music.)  For me, The Perks of Being a Wallflower more than lived up to its reputation. I loved it, which in turn makes me a bit wary of the upcoming movie adaptation. But since Stephen Chbotsky wrote the screenplay and directed as well, I have faith the film will remain true to the novel. Here’s the official trailer, in case you haven’t seen it yet:

I don’t actually go to the movies very often (the last movie I saw was The Hunger Games), but I am looking forward to seeing this one. What about you? Do you plan to see the movie adaptation when it comes out?

REVIEW: Among Others by Jo Walton

Rating: 4/5 Stars
Genre: (Really light) Fantasy, Coming-of-age
Audience: Adult/Young Adult Crossover

Summary: Fantasy and a realistic coming-of-age story merge in this tale of a young outcast who finds meaning in the books she loves. When a magical battle with her insane mother leaves Mori crippled and results in her twin’s death, Mori flees to her heretofore absent father in England. Once there, Mori is quickly shuffled off to a boarding school that is a far cry from the fairy-filled valleys of Wales. There 15-year-old Mori struggles to find friends and dabbles in a bit of magic on her own before the inevitable showdown with her mother.

First Lines: “The Phurnacite factory in Abercwmboi killed all the trees for two miles around…. My sister and I called it Mordor…”

Tracy’s Thoughts:
On the surface, this sounds like a typical genre novel: outsider teenager discovers magical powers, etc, etc. And yet in Among Others, much of the “action” takes place offstage before the novel begins. Instead, the focus is on Mori’s
struggle to find a place and a purpose after losing her sister. Her
innermost thoughts and fears on everything from getting breasts to the
latest Zelazny novel are related through a series of diary entries. The
fantasy elements are very much in the background, but bits of magic slip
though the cracks. Mori sees fairies that look more like plants than the sparkly winged creatures of lore, and her magic doesn’t work like the magic in her beloved books, though she sometimes wishes it did. Instead of grand, sweeping magic, the magic here is ambiguous and inextricably part of the “real” world. It is something that must be taken on faith:

You can almost always find chains of coincidence to disprove magic. That’s because it doesn’t happen the way it does in books. It makes those chains of coincidence. That’s what it is. It’s like if you snapped your fingers and produced a rose but it was because someone on an aeroplane had dropped a rose at just the right time for it to land in your hand. There was a real person and a real aeroplane and a real rose, but that doesn’t mean the reason you have the rose in your hand isn’t because you did the magic.

I love this concept. Mori’s belief in magic of this sort makes so much sense even as I questioned whether Mori’s stories are merely the product of her book-fueled imagination.

In many ways, Among Others it is a love letter to libraries and to books, particularly the science fiction novels of the 1970s. And although I am not a big reader of sci-fi or fantasy, I have a special love for books about books and those who read them. (Case in point: this excellent book, and this book that *might* qualify as my absolute favorite read of 2011.)  Mori’s enthusiasm for the books of Ursula
Le Guin and other giants of the sci-fi/fantasy genres made me want to
hole up for a week (or two) just so I can devour all of the classics she
loves. (Lucky for me, Jo Walton has Mori’s reading list posted on her blog.) Among Others is a wonderful book, with a fascinating and engaging lead character, simple yet elegant writing, and thought-provoking ideas. I recommend it for anyone who has been an outsider, for anyone who has lost someone they loved, and most of all for anyone who loves books even a tenth as much as Mori does.

REVIEW: Dead End in Norvelt by Jack Gantos

Tracy’s Rating: 4/5 Stars
Genre: Historical Fiction, Realistic Fiction, Humor
Audience: Middle Grade/Tween

Summary: Jack Gantos can’t seem to stay out of trouble. It’s the summer of 1962 and, after an incident with his dad’s collectible WWII sniper rifle and getting caught in the middle of a parental feud, Jack is “grounded for life”! Now he’s only allowed out of the house to help his dad dig a giant hole in the yard and to type up the obituaries for his elderly neighbor, whose arthritic hands won’t allow her to use the typewriter. But somehow what promised to be a deadly-dull summer turns into one of the most memorable summers ever, filled with bloody noses, underage driving, Hells Angels, and a suspicious number of dead people.

First Line: “School was finally out and I was standing on a picnic table in our backyard getting ready for a great summer vacation when my mother walked up to me and ruined it.”

Tracy’s Thoughts:
I listened to the audio book in my car, and there were moments that I laughed hard enough to become a potential traffic hazard. This is a book with Personality, from the irrepressibly curious Jack to his loving, bickering parents. Then there are all the other zany characters that inhabit Norvelt: Bunny Huffer, Jack’s best friend and daughter of the local funeral parlor owner, who gleefully entertains Jack with nosebleed-inducing tales of gore; Jack’s uncle, who paints his horse’s mane in bold colors for effect; and of course the feisty, history-spouting Miss Volker, who tells it like she sees it and revels in a good argument. Possibly my favorite character was Mr. Spizz, a crochety old man who rides around town on a giant TRICYCLE, handing out citations and offering chocolates in his decades’ long mission to woo a resistant Miss Volker. I particularly enjoyed Gantos’s narration of Spizz’s character in the audio version; every time he called Jack “Gantos boy” in Spizz’s wheezy, condescending way, I couldn’t help but grin.

Dead End in Norvelt is a great mix of history, humor, and realistic fiction. It is richly layered, but for readers who prefer action and laughs over deep thoughts, the history and life lessons aren’t overly intrusive. Like most of Gantos’s books, it is loosely autobiographical. Perhaps that is why the book is imbued with so much energy and believability, despite the occasionally far-out scenarios. I very much enjoyed the dark humor, slightly off-kilter (often hilarious!) descriptions, and eccentric characters. Those with an interest in history (particularly admirers of Eleanor Roosevelt) will be especially pleased.

Here’s a look at the book trailer:

And here is a brief interview with Jack Gantos after Dead End in Norvelt was selected as the 2012 Newbery Medal winner:

REVIEW: The Fault in Our Stars by John Green

Tracy’s Rating: 4.5/5 stars
Audience:Teen/Young Adult, Adult Crossover 
Genre: Realistic Fiction

Summary: Hazel Grace Lancaster is a walking miracle. Diagnosed with terminal cancer at 12, she is now 16, alive thanks to an experimental drug that keeps the fluid in her lungs in check. Still, breathing is an ongoing struggle, and there is no doubt the the cancer will one day kill her. She’s taking college classes but has little human interaction with people other than her parents and doctors. Her “third best friend” (after her parents) is Peter Van Houten, the reclusive author of Hazel’s favorite book, An Imperial Affliction. Despite numerous fan letters penned by Hazel, they have never met or even corresponded, but Hazel feels that he is the only person who understands what it’s like to be dying without having actually died.

Augustus Waters is a 17-year-old cancer survivor in remission. Hazel first meets him at a support group she attends only under protest. Before Hazel knows what is happening, the two are trading words and feeding off each other’s comments with an energy that Hazel hasn’t felt in… forever. Then they swap their favorite books, and Augustus makes it his mission to help Hazel find the answers to the many questions she has for Peter Van Houten.  

First Line: Late in the winter of my seventeenth year, my mother decided I was depressed, presumably because I rarely left the house, spent quite a lot of time in bed, read the same book over and over, ate infrequently, and devoted quite a bit of my abundant free time to thinking about death.

Tracy’s Thoughts:  

First, let me say this: John Green is awesome. I adored An Abundance of Katherines, and, although I was slightly less enthusiastic about the Printz-winning Looking for Alaska, I still found it smart, funny, and compelling. I have no good excuse for the fact that I still haven’t gotten around to reading Paper Towns or Will Grayson, Will Grayson—his much hyped collaboration with David Levithan—but you can be assured that both are now bumped up near the top of my TBR. No one writes smart teen characters like John Green. His books are both incredibly intelligent—pondering Big Questions with verve and style—and hilarious. Seriously, before I even hit the second chapter of The Fault in Our Stars, I was laughing so hard I was gasping for breath. Twice. In a book about terminal cancer.

At its heart, The Fault in Our Stars is a love story, if one we know to be doomed from the start. Augustus is an incredibly charismatic character, and the snarky, deep-thinking Hazel is his perfect match. Hazel and Augustus have a natural affinity that makes for truly riveting dialog, their separate intellects enhanced by the other. Both are quick-witted, with improbable vocabularies and bookish tendencies. In a way, their repartee reminds me of the nuanced banter of Briony and Eldric in Chime. But unlike Briony and Eldric, Hazel and Augustus are also believable as modern teenagers: they have in-jokes, play pranks, and have the requisite addictions to reality TV and video games. They still feel like teenagers, just teens with extreme intelligence and a situation-enhanced view of reality. Hazel’s narration grabbed me from the start—and, despite the comments of some other reviewers—I never felt that it was inauthentic. Here is one early sample:

The Support Group, of course, was depressing as hell. It met every Wednesday in the basement of a stone-walled Episcopal church shaped like a cross. We all sat in a circle right in the middle of the cross, where the two boards would have met, where the heart of Jesus would have been.
I noticed this because Patrick, the Support Group Leader and only person over eighteen in the room, talked about the heart of Jesus every freaking meeting, all about how we, as young cancer survivors, were sitting right in Christ’s very sacred heart and whatever.

So here’s how it went in God’s heart: The six or seven or ten of us walked/wheeled in, grazed at a decrepit selection of cookies and lemonade, sat down in the Circle of Trust, and listened to Patrick recount for the thousandth time his depressingly miserable life story—how he had cancer in his balls and they thought he was going to die but he didn’t die and now here he is, a full-grown adult in a church basement in the 137th nicest city in America, divorced, addicted to video games, mostly friendless, eking out a meager living by exploiting his cancertastic past…

Really, there isn’t much more I can say about this book without somehow taking away from the incredible journey that it takes you on. It is a wonderfully written book about love and loss and learning to live while coping with the reality of death, about wondering how you will be remembered after you’re gone and what will become of those you love. The Fault in Our Stars is not an easy read. It is intellectually and emotionally challenging—but worth the effort. By turns brilliant, hilarious, and heartbreaking, this is a book that is not easily forgotten.

REVIEW: The Art of Fielding by Chad Harbach

Rating: 5/5 Stars
Audience: Adult
Genres: Realistic Fiction

Summary: Henry Skrimshander’s life changes forever when he catches the eye of college sophomore Mike Schwartz at a no-name summer baseball tournament. The next school year, Henry finds himself at Westish College, a small liberal arts college situated on Lake Michigan. Under Schwartz’s tutelage and with the guidance of his favorite book, The Art of Fielding, Henry hones his natural talent. By his junior year, the Westish Harpooners have become a solid ball team and Henry is attracting attention from the MLB scouts. But then a freak error injures a teammate, sends Henry into a spiral of self-doubt, and sparks changes in the lives of those connected to him. While recovering from his injury, Owen falls into a relationship that could end badly for both involved. Schwartz becomes jealous of Henry’s success and feels uncertain about his own future. Affenlight, the college president, falls in love with someone he never imagined having feelings for. And Affenlight’s daughter Pella, who has just left her husband, returns to her father in search of a new start.

Tracy’s Thoughts:
Baseball and Melville in a single book? Sign me up! And I don’t even like baseball. But anyone who can create a world where the two coexist, jocks aren’t stereotyped idiots, and the characters read has my attention. Of course, The Art of Fielding isn’t strictly about baseball (although sports-types will doubtless find much to enjoy here). So yes, it is about sports; and yes, it is a bit about academia and even literature. But at its core, The Art of Fielding is a quintessential coming-of-age novel: primarily character driven. And Harbach’s characters are superbly drawn indeed. They are complex, intellectually engaged characters, but they are also grounded in the physical world. The novel rotates close, third-person perspectives from chapter to chapter, and each voice is distinctive and authentic. As a reader, I was predisposed to dislike certain characters who shall remain nameless, and yet once I got inside their minds, I understood them and worried about them as if they were real people. Of the five main characters, only Owen doesn’t take a turn at narrating. Instead, he remains something of an enigma, but this perfectly suits his characterization.

The Art of Fielding is undeniably smart and yet it is also a fun, easy read. The pace is unhurried, almost leisurely, but the clear, unpretentious prose carries with it an energy that makes the novel utterly absorbing. Harbach’s imagery is surprising and yet, in a way, obvious. So, too, the story itself: it holds endless revelations and yet, by the end, has an inevitability about it. It all fits together perfectly, and perfectly reflects Affenlight’s own philosophy of writing:

It was easy enough to write a sentence, but if you were going to create a work of art, the way Melville had, each sentence needed to fit perfectly with the ones on either side, so that three became five and five became seven, seven became nine, and whichever sentence he was writing became the slender fulcrum on which the whole precarious edifice depended. That sentence could contain anything, anything, and so it promised the kind of absolute freedom that, to Affenlight’s mind, belonged to the artist and the artist alone. And yet that sentence was also beholden to the book’s very first one, and its last unwritten one, and every sentence in between.

Many novels—from disappointing sports novels to obscure literary tomes—purport to be the next Great American Novel. Having drawn comparisons to authors ranging from Jonathan Frazen to David Foster Wallace (though I would suggest Harbach is much more accessible), greatness perhaps loomed largely in Chad Harbach’s mind over the nine years he spent on this first novel. And yet this book never seems to take itself too seriously. In fact, frequent references to Moby-Dick are but one example of the understated, unselfconsious humor that runs throughout. At the very least, The Art of Fielding is a Really, Really Good American novel, skillfully taking on both the Great American Pastime and a classic considered by many to be THE Great American Novel. I was sorry to see it end—though the ending was completely satisfying—and I suspect that I will visit the characters and Westish College once again.