2.5-Stars

FLASH REVIEWS: Recent Audio Reads in Historical Fiction

I’m back with more quick reviews of my recent audio reads! I just finished two Bloody Jack Adventures  plus a couple of adult historicals. So here goes…

The Book of Madness and Cures by Regina O’Melveny
Rating: 2/5 Stars
Audience: Adult
Genre: Historical Fiction/Mystery

When the powers that be try to keep her from practicing her craft as a physician, Renaissance woman Gabriella Mondini decides now is the time to go searching for her long-lost father. What follows is a journey across Europe and beyond that calls to mind the Canterbury Tales. Through her entries in her diary and additions made in an anthology of diseases begun by her father (also a physician), readers are privy to Gabriella’s adventures and obsessions. A woman physician in sixteenth-century Venice, Gabriella
Mondini had the potential to become a fascinating character. The plot in and of itself is certainly intriguing, but the pacing is uneven and the supernatural elements are clumsily integrated and all too predictable. O’Melveney is a poet, and the prose is lyrical and striking at times; however, it also frequently veers into pretension and excessive description. Probably the only reason I finished this audiobook is Katherine Kellgren, whose magnificent voice performance kept me engaged.

Heading Out to Wonderful by Robert  Goolrick
Rating: 2.5/5 Stars
Audience: Adult
Genre: Historical Fiction/Psychological Suspense/Southern Gothic

When Charlie Beale arrived in the small Southern town of Brownsburg with a suitcase full of money, it was the summer of 1948. Decades later, a man who knew Charlie and was witness to Charlie’s torrid, fateful affair with the young bride of the town’s wealthiest man recounts the story. I was downright mesmerized by Goolrick’s A Reliable Wife, but Heading Out to Wonderful lacked the tension and immediacy I expected in his follow-up novel. The setting and storyline had the haunting, nostalgic quality of a folk ballad, but the finale seemed forced and arbitrary. Also, I was troubled by the occasional awkwardness of the narrative voice and some unacknowledged loose ends. For example, it is never explained (MILD SPOILER AHEAD…HIGHLIGHT TO READ) how Charlie came by that suitcase of money. Although this was the most interesting part of the story to me, I would have understood if that particular plot point remained a mystery. But the fact that none of the book’s characters seem to wonder or question it makes no sense. Still, even with all that being said, I think Heading Out to Wonderful would make a fantastic book club read. The recurring themes of lost innocence, sin and forgiveness, identities abandoned and recreated, and memory itself leave much to discuss.

Mississippi Jack by L.A. Meyer
Rating: 4/5 Stars
Audience: Teen/Young Adult
Genre: Historical Adventure/Humor
Series: Bloody Jack Adventures #5

I am still a little furious at Jamie. But at the same time, I also like him a bit better now. In the past, Jamie has been almost too perfect for the wonderfully flawed adventuress that is Jacky Faber. Now, I see him as a more developed, if flawed character and I like him better for it. In this latest adventure, Jacky and Jamie are once again separated as Jacky makes her way down the Mississippi in a rollicking adventure reminiscent of the best tall tales. Legendary boatman Mike Fink even plays a significant role in the story. New love interests also emerge—most notably the irascibly charming Sir Richard Allen—to throw a wrench in Jacky and Jamie’s relationship. Not to mention the intervention of the British Navy and Intelligence Agency, marauding Indians, and a homicidal Mike Fink. Also, did I already mention that I love Katherine Kellgren? Because I do. Her fabulous performances make the Bloody jack series a joy to listen to, bringing Jacky and the gang to vivid life.

Mt Bonny Light Horseman by L.A. Meyer
Rating: 3/5 Stars
Audience: Teen/Young Adult
Genre: Historical Adventure/Humor/War Story
Series: Bloody Jack Adventures #6

This time around, Jacky is tasked by British Intelligence to act as a spy against the French. Those who love the battle scenes of earlier Bloody Jack novels won’t be disappointed. And Jacky being Jacky, there are also new flirtations for the more romantically minded (though the new love interest fails to live up to the standard set by Jamie’s previous rivals for Jacky’s affections, IMHO).

FLASH REVIEWS: A YA Roundup

So I recently realized that over the past year I’ve read several YA books that I never got around to reviewing. Now, many of these books have sequels out or soon to be released. Here’s a quick look at some of the books I overlooked:

All These Things I’ve Done (Birthright #1) by Gabrielle Zevin
Genre: Dystopia/Crime Fiction/Romance
Rating: 2.5/5 Stars
 In a near future where chocolate and
caffeine are contraband, water and
paper are carefully rationed, and curfews are strictly enforced, sixteen-year-old Anya Balanchine finds
herself coping with an ailing grandmother and mothering her orphaned siblings.Oh, and she also gets herself tangled up in the illegal family business while falling for the son of New York’s new District Attorney. Anya is a strong and fascinating character and this book provides a slightly different slant in dystopian literature, but I felt that some of the details strained credibility. For me the book fell a bit flat, especially the romantic relationship. But there’s still hope for this wonderful premise and characters: Book 2, Because It’s in My Blood, is due out September 18, 2012.


Ashes (Ashes Trilogy #1) by Ilsa J. Bick
Genre: Apocalyptic Fiction/Horror
Rating: 3.5/5 Stars
On the run from an incurable brain tumor, 17-year-old Alex is camping alone in the mountains when catastrophe strikes. The sudden explosion of an EMP (electromagnetic pulse) instantly kills most of the adults and turns many of the younger humans into crazed, flesh-eating monsters. Tough and resourceful, Alex teams up with a contrary eight-year-old and a young soldier named Tom. The first half of this novel is a high-energy gorefest that kept me enthralled, but events take a sudden turn midway though. The creepy factor ratchets up in a totally new way, but the sudden veer had me baffled for a bit. However, the cliffhanger ending takes a turn back in the right direction. There are tons of questions left in the air, and I can’t wait for the sequel, Shadows, due out September 25, 2012! For its foray into societal issues and mores as well as the vivid action sequences, Walking Dead fans will definitely want to check this one out.
Glow (Sky Chasers #1) by Amy Kathleen Ryan
Genre: Science Fiction
Rating: 3/5 Stars
Decades ago, when it became clear Earth would not survive much longer, two pioneer spacecraft were launched to locate and colonize  a New Earth. Fifteen-year-old Waverly and her boyfriend Kieran were born aboard the Empyrean, a completely self-contained habitat. The Empyrean and its inhabitants are still at least 40 years away from reaching their goal when their sister ship, New Horizon, inexplicably attacks and kidnaps all of the girls. Suddenly, Kieran finds himself in a power struggle with Seth, who becomes both a romantic rival and a rival to Kieran’s role as future leader of the ship. Meanwhile, Waverly must figure out a way to thwart her captors. This is a fast-paced space epic with some fascinating twists. A less-than-subtle dig at the corruptible qualities of organized religion may alienate some readers.  The second installment of the series, Spark, was released July 17, 2012. 

 

Hourglass (Hourglass #1) by Myra McEntire
Genre: Science Fiction/Mystery/Paranormal Romance
Rating: 3/5 Stars
Seventeen-year-old Emerson Cole sees ghosts. Or, at least she believes that’s what they are. Now that she is home—after being hospitalized for a nervous breakdown—her older brother and guardian has hired the Hourglass Institute to help Emerson deal with her “hallucinations.” But Micheal Weaver is not the therapist Emerson expects; instead he is a consultant for a secretive organization that works with gifted people of the X-men variety, helping them to develop and use their abilities for good. Emerson believes he’s nuts at first, but soon she’s thinking all sorts of things might be possible, including time travel. This book isn’t perfect, but Emerson is a likeable, slightly offbeat narrator, and the romantic triangle that develops with Michael and Kaleb is intriguing if a bit predictable. Hourglass is a clever combination of science fiction, superheroes, and paranormal romance that will appeal to a wide range of readers. The sequel, Timepiece, is now available.

Wither (Chemical Garden Trilogy #1) by Lauren DeStefano

Genre: Post-apocalyptic Fiction
Rating: 3/5 Stars
In a future world where genetic engineering has created a disease that kills women by the age of 20 and men by the age of 25, polygamy has become a way of life for the rich and a means of ensuring survival of the species. Rhine is sixteen when she is kidnapped from her Manhattan neighborhood and forced to become the bride of Linden Ashby, one of the most handsome and affluent young men in Florida. Even as Rhine struggles with her feelings about her new husband, she also develops a wary relationship with one of the household’s male servants. And yet she is determined not to allow her developing relationships to make her lose sight of her goal to escape and somehow reunite with her twin brother. This is a creepy, dangerous world filled with hidden agendas. The narrative tension is high and although I was often frustrated by Rhine’s inner conflicts, I fully plan to discover more of this disturbing world in Fever.

2-for-1 REVIEW: Fifty Shades Darker and Fifty Shades Freed by E.L. James

No dual review this time. Lucinda quit the series before finishing the first book. I almost did the same thing, and after starting the second book, I really did quit. In fact, I read the first and last chapters of Fifty Shades Darker, rolled my eyes (a lot), and decided that I was done with the series for good. Only I have this annoying compulsion to finish what I start (several family members frequently make joking references to my OCD), so I picked it up again a week later. And I enjoyed the last two books, despite my many reservations. I’ve already said most of what I have to say about this series in my review of the first book, but I thought the final two books in the series deserve a few comments as well.

Tracy’s Rating: 2.5/5 Stars
Genre: Erotic Fiction
Audience: Adult (Mature)
Series: Fifty Shades of Grey #2

First Lines: “He’s come back. Mommy’s asleep or she’s sick again.”

Tracy’s Rating: 2.5/5 Stars
Genre: Erotic Fiction
Audience: Adult (Mature)
Series: Fifty Shades of Grey #3

First Lines: “Mommy! Mommy! Mommy is asleep on the floor. She has been asleep for a long time.”

Tracy’s Thoughts:
In the final books of the series, a slight suspense plot is added to the mix, and the playfulness that characterized Christian and Ana’s e-mail correspondence seeps into their face-to-face interactions. As a result, both characters begin to feel more real. Ana, especially, becomes less of a cipher. They also cope more directly with their fundamental differences and learn to communicate in a more adult manner, though neither character changes extremely. I enjoyed the way they are able to acknowledge their own flaws and even joke about them. In one particularly notable moment, Christian gifts Ana with yet another expensive bit of technology, complete with a themed playlist. Among the included songs is “Every Breath You Take,” which they mutually agree is the stalker anthem and highly appropriate to Christian’s personality. While Christian’s stalker tendencies bothered me in the first book, they are less objectionable in those that follow, probably because they have at least been acknowledged. (One of my primary issues with the Twilight series—and there were many—was the fact that Bella never called Edward on his creepy stalking habits and didn’t even seem bothered by the fact that he invaded her space while she was sleeping and they were still practically strangers. But I digress…)

Anyway, I have to make an admission: E.L. James is a smart writer. She doesn’t take her characters too seriously, and at times seems to poke a bit of fun at romance conventions and expectations. She’s not a skilled wordsmith or a brilliant storyteller. And don’t even get me started again on her use of the “subconscious” to highlight Ana’s inner thoughts. But the writing does seem to get better as the books progress, or perhaps I just grew accustomed to it. Regardless, what E.L. James does do—and very well—is tap into familiar plot elements from bestselling mainstream fiction, using them to make her somewhat taboo story (on the surface at least) more familiar and comfortable for the general reader.

I’ve been thinking a lot about why this series has enjoyed so much mainstream success, where other erotic fiction is practically shunned by the general reading public. There is even a certain stigma about reading mainstream romance, let alone erotic romance or “romantica.” Certainly the media attention hasn’t hurt—but a certain level of interest had to have preceded the media coverage. One thing that I think helps is that the covers are less “embarrassing” that many romance novels, erotic or not. The Fifty Shades covers are somewhat stark and do not immediately identify the books as members of the romance genre. There are no half-naked clinches or waxed pectorals (often referred to on romance reader blogs as “mantitty covers”) to identify the genre to curious passersby.

But, as I commented earlier, there are parallels to certain mainstream novels that I believe are key to the series’s success. In fact, this “shocking” story is rather formulaic, using clichés from the romance genre and mixing in elements culled from other popular fiction. Here’s my theory about the formula for the Fifty Shades trilogy:

I have already outlined many of the Twilight parallels in my previous post, but you may be thinking I’m a bit crazy for comparing the other two. But just hear me out.

Even if you haven’t read any of Jeff Lindsay’s Dexter books, many of you are familiar with the series on Showtime about a blood splatter analyst/serial killer. As a child, Dexter witnessed a traumatic incident involving his mother, which resulted in violent impulses as he grew older. Then, in his formative teenage years, an adult he trusted introduced him to a set of strict rules through which he was free to indulge in his abnormal impulses. Now think of Christian. He too has a “deviant” secret life, and claims that his sadist tendencies stem from his troubled childhood. And then “Mrs. Robinson” introduced him to the world of BDSM, where he finds an outlet for his violent impulses, but only guided strictly by a set of previously agreed upon rules. As such, this allows him to maintain strict control of his impulses in the other areas of his life. I am not saying that Dexter and Christian’s methods are comparable (after all, one kills and the other indulges in consensual bondage and discipline games), but I couldn’t help thinking of Dexter as I read about Christian’s past.

As for the parallels with Room—that doesn’t really kick in until book two, which begins with a peek into Christian’s past and is narrated by his 4-year-old self. This perspective, which appears again in the prologue to Fifty Shades Freed, is clearly reminiscent of Emma Donoghue’s Room, which is narrated entirely from the point-of-view of 5-year-old Jack, who has grown up in a room where his mother is physically and sexually abused.  Again, I am not saying that the books themselves are similar, but I think that the influences on E.L. James’s trilogy are real and, perhaps, a key element to their continued popularity. The Fifty Shades books offer up a titillating subject, but they’re presented in a familiar way that makes them more digestible for the general reading public than typical erotic fiction.

So what do you think of my little theory? Am I crazy?

BOOK BATTLE: Lauren Oliver’s Delirium vs. Ally Condie’s Matched

Welcome to our first Book Battle! Sometimes book plots are SOOO similar that comparison is inevitable, so we thought we’d see how these two romantic dystopias hold up in a head-to-head fight. So, let the battle begin…

First Up: Delirium by Lauren Oliver

Summary:
In the future, love is considered a disease and teenagers are given a government-mandated “cure” at the age of eighteen. Just before their eighteenth birthday, teens also undergo evaluations to determine their future careers and spouses. Lena doesn’t want to end up like her mother and can’t wait to get the cure. But then—just months before her procedure—Lena meets Alex, a free-spirited young man who challenges her to question her beliefs.

Tracy’s Thoughts:
This book grabbed me right away. In fact, I was avid to read it from the moment I learned Oliver’s second book (after the fabulous Before I Fall) was in the works. And for the first several chapters, I was certain that I was going to love everything about it. But for some reason… I didn’t.

Don’t get me wrong. There are lots of things to love here. First, the writing is gorgeous. Oliver has a very special way with words and is able to create a scene like nobody’s business. The sensory detail alone is enough to have me pick up everything and anything she cares to write. Take the following excerpt from Chapter Two:

    The smell of oranges has always reminded me of funerals. On the morning of my evaluation it is the smell that wakes me up. I look at the clock on the bedside table. It’s six o’clock.                
   The light is gray, the sunlight just strengthening along the wall of the bedroom I share with both of my cousin Marcia’s children. Grace, the younger one, is crouched on her twin bed, already dressed, watching me. She has a whole orange in one hand. She is trying to gnaw on it, like an apple, with her little-kid teeth. My stomach twists, and I have to close my eyes again to keep from remembering the hot, scratchy dress I was forced to wear when my mother died; to keep from remembering the murmur of voices, a large, rough hand passing me orange after orange to suck on, so I would stay quiet. At the funeral I ate four oranges, section by section, and when I was left with only a pile of peelings heaped on my lap I began to suck on those, the bitter taste of the pith helping to keep the tears away.         
   I open my eyes and Gracie leans forward, the orange cupped in her outstretched palm.         
   “No, Gracie.” I push off my covers and stand up. My stomach is clenching and unclenching like a fist. “And you’re not supposed to eat the peel, you know.”         
   She continues blinking up at me with her big gray eyes, not saying anything. I sigh and sit down next to her. “Here,” I say, and show her how to peel the orange using her nail, unwinding bright orange curls and dropping them in her lap, the whole time trying to hold my breath against the smell. She watches me in silence. When I’m finished she holds the orange, now unpeeled, in both hands, as though it’s a glass ball and she’s worried about breaking it.         

   I nudge her. “Go ahead. Eat now.”

I also liked the early characterization of Lena. She isn’t rebellious and opinionated; instead she is scared and vulnerable. It was a nice change to meet a dystopian heroine who isn’t immediately strong and sure of herself but must develop those qualities across the course of the novel. Which leads to my first complaint… Lena’s change of heart was much too sudden, and I found her character development lacking. Also, the relationship with Alex seemed rushed to me. One moment she was nervous of him and what her feelings for him meant for her sanity… then she’s all in. You know those annoying montages in movies that are used to indicate the passage of time? Well, that is how much of the Lena/Alex relationship is conveyed. Basically, all the good stuff—the meat of their relationship—gets montage treatment. So I never fully bought into their relationship, which is key to the story and Lena’s own development.

My major complaint, though, is the world building. The details of Lena’s world felt far too nebulous. A fuller, more developed world would’ve grounded the story and created a more realistic feel. Instead, Delirium read like a very well written—but exceptionally long—prequel. As a stand alone novel, it doesn’t really work. Though, due to the high-drama, cliffhanger ending (seriously, I gave serious thought to hurling my book at the wall in frustration!), I will probably give book two (Pandemonium, 3/6/2012) a shot despite my disappointment in the trilogy’s beginning.

VS.

The Challenger: Matched by Ally Condie

Summary:
In the future, the Society officials calculate all the data to determine each citizen’s perfect life. They monitor your food intake, select your ideal job, and find your perfect Match. Cassia has always trusted the Society, and when the screen at the Matching Banquet identifies her ideal mate as Xander Carrow—her best friend—she knows her future with him will be a happy one. But then she discovers that a glitch in the system also selected another Match for her: Ky Markham, a quiet, intense boy who remains on the fringe of her group of friends. Now, aware that her Society’s decisions aren’t as perfects as she always believed, Cassia is forced to examine the the world she lives in and the future she wants more closely.

Tracy’s Thoughts:
First off… Ally Condie’s prose doesn’t pack the same punch as Oliver’s writing, but it has a lyrical, almost hypnotic flow that kept me turning the pages eagerly. The world-building is amazing and wholly convincing. There’s not a lot of background about how the Society came to be, but I expect more details to come later in the trilogy. There are many similarities to Lois Lowry’s The Giver, but Condie’s world thrums with a nervous, subtly terrifying energy all its own. The slightly sinister officials, the strictly organized activities, even the machines used to dispose of waste—it all works together beautifully to ground the story and create a background in which the novel’s plot makes sense. The characters, too, are much more developed than those in Delirium. I was captivated by Cassia’s relationship with her family, especially her grandfather and brother Bram. Cassia’s evolution from a happy, obedient citizen to one who questions, doubts, and—ultimately—rebels was believable and enthralling.

Unfortunately, I did think that the love story that is the impetus for this change was a little lacking. Of course, given the strict monitoring and control of their world, it would be impossible for Cassia and Ky’s relationship to follow a familiar path. This makes for some leisurely pacing, but at least the story doesn’t feel rushed in any way. I found both characters intriguing and look forward to catching up with them again in Crossed, in which I fully expect the action to escalate. (Library copies are on order!)

Final Scores:
Delirium by Lauren Oliver Rating: 2.5/5 Stars
Matched by Ally Condie: 3.5/5 Stars   BOOK BATTLE WINNER!!!!!

Post-game Questions:
1. Tell me, have you read either of these titles yet? Do you agree with my verdict, or did you have a different reaction?

2. So I wasn’t quite satisfied with Delirium, but still plan to check out the second book in the series. Having invested the time in Book One, I want to know what is next for the characters. My question is… How many chances are you willing to give a series before giving up altogether? Does anyone but me feel a compulsive need to finish a series—even if it’s not exactly to your taste—once you’ve started?

3. Okay… now we have to talk cover art. IMO, both books are gorgeous—probably two of the most memorable YA covers I’ve seen in a while. What do you think? What recent YA cover art sticks out to you?

REVIEWS: Bedwyn Family Series by Mary Balogh, Part I

Background:
I’ve been meaning to read this series for a while now, ever since I read (and enjoyed!) A Summer to Remember, the book that first introduced the Bedwyn family to romance readers. In that book, Freyja—the eldest Bedwyn sister—is a headstrong ex-flame who turns up to cause trouble for the hero and heroine. Several of her brothers, most notably the coldly powerful Wulfric Bedwyn, Duke of Bewcastle, also make appearances. In all, there are six Bedywn siblings. 

Book 1: Slightly Married
Rating: 2.5/5 Stars
Audience: Adult
Genre: Historical Romance (Regency)

Summary: Slightly Married is the story of Aiden—the second eldest sibling—and Eve Morris, a woman whose security is threatened by the untimely death of her brother in battle. Captain Lord Aiden Bedywn takes the tragic news to Eve personally, determined to uphold his promise to Eve’s dying brother to protect her “no matter what.” As it turns out, Eve’s inheritance is contingent on her marrying a gentleman within a year of her father’s death, a deadline that is fast approaching. Otherwise, her smarmy cousin will inherit the unentailed estate and fortune, then toss Eve and her many dependents out on their rumps. So of course Aiden decides the only honorable thing is to marry Eve, then leave to continue his military career and never see her again. Eve reluctantly agrees since she hasn’t heard from her secret fiancé in more than a year and she feels responsible for the well-being of her servants, her spinster aunt, and two young orphans. But when the Duke of Bewcastle discovers his brother’s secret marriage, he insists that Eve be trained as a lady and properly presented to society to avoid damaging the family’s reputation.

Tracy’s Thoughts:
First, I have to make a confession: Generally, I am not a fan of marriage of convenience plots. So that may have interfered in my enjoyment of the story. But the main problem, for me, was the relationship between Aiden and Eve. I like fireworks and lots of banter in my romance reads and I found Slightly Married… lacking. I never really felt that their relationship grew or developed, or if it did, most of it happened off-scene. Their main obstacle was guilt. By the time each realizes that they actually like being married, each worries about what the other would have to give up (Aiden his career or Eve her home and dependents) so that they can be together. And that gets very old very fast.

I was much more interested in Eve’s interactions with Aiden’s pretentious siblings, Wulfric and Freyja. They are both unbelievably arrogant but just the tiniest bit vulnerable… I want to read their stories. Aiden’s more lighthearted brother, Alleyne, was also intriguing. Aiden was a cipher through most of the book. Eve was slightly more interesting, but her habit of taking in the helpless hit me as a bit ridiculous, and a cliché to boot. Really? All of these troubled servants just happen to stumble upon Eve’s country home?

Still, the Bedwyn family dynamics merit further exploration, and Balogh’s writing is solid and her representation of the period is well done. I found the Bedywn family’s aristocratic snobbery to be much more grounded in reality than the easy-going liberalism of many fictional families in historical romance (e.g., Quinn’s Bridgertons). And yet, simply stated, Slightly Married just lacks that special spark to make it memorable.

Book 2: Slightly Wicked
Rating: 3/5 Stars
Audience: Adult
Genre: Historical Romance (Regency)

Summary: Next we meet Rannulf Bedwyn, who seems to be the rake of the family. He’s off to visit his dying grandmother, who has made him heir to her estate and wants him to marry her dear friend’s granddaughter. Meanwhile, Judith Law is en route to her aunt’s home, where she is to stay as a companion and resident poor relation. After Judith’s stagecoach overturns, Ralf and his trusty steed stumble across the waylaid passengers and he offers to give one of them—Judith—a ride to the nearest inn. Judith decides this is her last chance at adventure before a life of servitude and impetuously introduces herself as Claire Campbell, actress. Ralf also gives a false name, and the two indulge in a brief affair before Judith leaves him in the lurch so that she can face reality. But soon after she arrives at her destination, she discovers that her one-time lover is her cousin’s intended suitor, and Ralf discovers that the experienced actress he bedded was really a virgin. 

Tracy’s Thoughts:
I found this book much more engaging than Slightly Married. Despite the potential tawdriness of Ralf and Judith’s initial meeting, their encounter doesn’t come off as sleazy, and there is real conflict in this story. The main characters are nuanced and likeable, and the evolution of their relationship is believable. What’s more, I actually felt like they belonged together. A few of the secondary characters—notably Ralf and Judith’s grandmothers—are especially well done. Also, we see more a Freyja, who is the heroine of the next book in the series. I hated her (but was interested despite myself) in A Summer to Remember, merely disliked her in Slightly Married, and finally began to warm to her (a bit) in this book. I can’t wait to see how I feel about her in Slightly Scandalous.

Lucinda’s Thoughts:
Having read the whole series concerning the Bedwyn family, you are correct.  Wulfric and Frejya’s stories are the most enjoyable.  Also, Mary Balogh is one of the authors I go to when I need a light, entertaining read.

REVIEW: Going Bovine by Libba Bray

Rating: 2.5/5 Stars
Audience: Young Adult/Teen
Genre: Magical Realism, Dark Comedy

Summary: Sadly, high school slacker Cameron Smith’s fondest memory is from his childhood trip to Disney World when he nearly died. Now he’s been diagnosed with  Creutzfeld Jakob’s (aka mad cow) disease, and it is official: His life sucks. But then Dulcie, a frustratingly elusive punk-rock angel shows up at the hospital and assures Cameron there is a cure! All Cameron has to do is escape from the hospital and track down the mysterious Dr. X, a time-traveling physicist, and save the world along the way. What follows is a crazy road trip in the company of Gonzo, a paranoid, video-gaming dwarf and Balder, a Norse god in the guise of a lawn gnome.

Tracy’s Thoughts:
I really expected to LOVE this book. After all, I adored Bray’s (totally different) Gemma Doyle Trilogy, and Going Bovine did win the 2010 Michael Prinz Award, edging out Rick Yancey’s The Monstrumologist—which I did love. Plus there’s this super-cool book trailer:

I expected a trippy, action-packed, fun road adventure. All ingredients for total awesomeness. But… I think Bray got a little sidetracked by her own brilliance. At times the pace seemed agonizingly slow—especially the CESSNAB episode—and the subtext a little heavy handed. Basically, though genuinely funny and fascinating at times, the book just seemed too contrived and self-aware for my liking. Still, I am glad I read the book. The “bro-mance” between Cameron, Gonzo, and Balder was unusual and compelling, and Bray is a pro when it comes to capturing snarky teenage dialog. Readers interested in philosophy and the nature of reality may especially enjoy reading this one.

Confession and questions: I listened to this book in audio format, so perhaps that had something to do with my underwhelming response. Have any of you found that some books just don’t work in audio format? I’m not blaming the reader—he actually did a fine job—but I can’t help wondering if  the pacing or constant exposition would have played better in print. Or perhaps I just expected too much? For those of you who have read the book, what did you think? I’m curious.